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Book Review: The 2018 Author’s Journal by Audrey Ann Hughey

About The 2018 Author’s Journal

“In this hybrid planner for authors, the writer is guided through comprehensive workflows which address both the creative and business aspects of authorship. It is designed to maximize productivity, implement effective goal-setting practices, and maintain the author’s focus on achieving their writing, marketing, and publishing goals in 2018.”—Amazon description


Disclaimer

I received a free PDF version of this planner in exchange for my honest review. I am also a current member of Hughey’s Author Transformation Alliance, which is a paid-membership support group for authors that focuses on the business, marketing, and social media aspects of being an author. Therefore, I participated in a few polls about preferences for the cover and what might or might not be included in the journal, but I did not see any of the content until I received my review copy.


What Is The 2018 Author’s Journal?

The 2018 Author’s Journal is a combination guide and business planner for authors who have come to realize that they really do need to get a handle on the business end of writing if they are to succeed in today’s market.

If anything can be said about The 2018 Author’s Journal, it is that for the most part, it is ambitious. It covers many of the issues that authors face, especially those who are self-publishing or planning to do so.

Outside of the planner part, the book’s major sections cover author goals and goal refinement, works in progress, editing, story ideas, reading for relaxation and self-improvement, expenses and marketing, blog plans, and advertising. There is even a section for “squirrels” called My Musings.

What’s Great

There are several wonderful things about this planner.

Comprehensiveness

The sheer number of topics that it covers makes it clear that Hughey’s goal was to be as comprehensive as possible, to make this an all-in-one stop for all your writing ideas, plans, goals, and achievements. This is the first such planner I’ve had the chance to look at, and it’s impressive and massive at 356 pages in an 8.5 × 11 inch trim size.

I doubt you’ll find so much author-friendly content and support in one planner, and it definitely has the potential, if used faithfully, to cut the number of sticky notes and miscellaneous notebooks that writers tend to accumulate. That in itself is a worthy accomplishment.

I doubt you’ll find so much author-friendly content and support in one planner. It has the potential…to cut the number of sticky notes and miscellaneous notebooks that writers tend to accumulate. (Review, The 2018 Author's Journal) Click To Tweet

Honoring the Process

Unlike other planners, which might give you spaces to write your goals, Hughey’s gives you space to define, map, check, and evaluate refine your goals. She realizes that goal setting is like writing. We don’t usually get the plan right the first time. Our goals, like our words, sometimes need to get onto the page before we can properly evaluate them and make them better and truer to our style and abilities.

Honoring the Writer

The journal is available in several cover options (five at the moment, with possibly more to come). Hughey decided to offer the different styles as a hat tip to the different preferences of authors and their personal styles.

2018 Author's JournalDigital Resource Guide

Purchase of the print journal grants access to a specialized digital resource guide, which includes videos, checklists, and spreadsheets to supplement the journal and guide the author through its use and adaptation.

The digital resource guide also includes videos from special guests on topics such as mindset, time management, and overcoming self-doubt and fear.

Space for Your Squirrels

The planner includes a whopping 40 pages dedicated to My Musings, space for you to write down all those ideas, plans, or just notes that might not fit anywhere else. As I mentioned earlier, this might just replace your pile of spiral notebooks, notepads, and sticky notes.

Some authors might be willing to pay the roughly $30 price of the planner for that feature alone.

Gellinger / Pixabay

Where You Were and How Far You’ve Come

In the marketing section of the planner, there is a section on visibility. This is something authors often don’t think about as many (not all!) are introverted and prefer instead to think of invisibility.

I found the table for tracking social media in terms of current and target followers helpful. We often don’t take the time at the beginning of the year to see where we are and then compare the same number at the end of the year to see how far we’ve come.

social media for authors, followers
Social Media Goals, p. 56, The 2018 Author’s Journal

Hughey does this in many places in the planner, and this is just one example.

Although there is a quarterly follower breakdown, I would have loved to see a month-by-month breakdown of social media plans and followers in particular. This would be helpful for keeping track of what one has done with social media and how it has affected the number of (hopefully quality!) followers.

Blog Planner

As an extension of having all of your writing stuff in one place, the journal includes space for up to 52 ideas for blog posts (or one per week).

I love this! Coming up with blog post ideas for both my editing and author websites is the bane of my existence. Losing ideas to some random sticky note purgatory is even worse. So, having this section is just icing on the cake.

I do wish there was more writing space here, however (more on this later).

edar / Pixabay

Opportunities for Enhancement

I do hope this is not Hughey’s only year to produce this journal. With the growing number of author–entrepreneurs that has come with the expansion of the self-publishing industry, the need for something like this is significant.

However, there are a number of items that could be tweaked for maximum usability and convenience.

Writing Space

The great thing about The 2018 Author’s Journal is that it’s so comprehensive. The worst thing about this journal is that … it’s so comprehensive.

Unfortunately, there is so much text and content that the planner is very dense textwise.

In many areas, it seems that room to write—which is the point of a planner after all—has been sacrificed to “fit it all in.” (The exception to this is the My Musings section, which is basically 40 pages of blank lines for dates and notes.) There are many areas within the calendars themselves and after leading questions where you would have to write very small to fit any reasonable amount of text.

From the perspective of a book designer, it seems that less thought went into these practical aspects of actually using the journal day-to-day than to the content and guidance provided within. For example, some intro text was repeated monthly and could have been left out to offer more space for writing.

Alternatively, this journal might better serve authors as a two-book set: a business guide with all the content and instruction and a separate planner—the one that you carry around—with all the space you need to write.

Skitterphoto / Pixabay

Areas for More Focus

The Editing Process

Although most sections of The 2018 Author’s Journal are devoted to author marketing and promotion, not writing craft, there is a section devoted to the editing process. Anyone familiar with me or the Wordy Speculations blog knows I am 100% behind multiple rounds of self-editing and hiring a professional editor. Oddly, more focus is given to editing apps and software than the self-editing process itself or what one should expect from an editor.

However, with the exception of the place to take notes on pricing and evaluating editors, this section felt out of place amidst the business content of the rest of the journal. Also, by its very presence, it highlights the lack of any coverage of how to deal with cover design and interior book design, which, along with editing, are both part of the book production process and often entail hiring a professional.

Postrelease Business

The coverage of the author business that takes place after release is spread out and less organized than other topics in The 2018 Author’s Journal. To balance the Planning My Release and Preparing My Release sections, I would have loved to see something similar for marketing and managing your books after launch.

Author Newsletter

Given the importance of author newsletters, as stressed by Hughey herself, a planner or map for newsletter content, similar to what she includes for blogs, would have also been a great addition.

JuralMin / Pixabay

Binding

As it stands, The 2018 Author’s Journal is perfect-bound. With its sizeable length, this might make it difficult to write in for some, especially toward the middle of the book where the bulk of the monthly and weekly planners are. Coil, or spiral, binding would allow the journal to lie flat and would greatly add to its convenience.

This, unfortunately, is a limitation of self-publishing because most of the major print-on-demand services do not offer coil binding. However, one service does offer it, and Hughey has expressed interest in this binding for the future and/or for possible undated editions of the journal.

Recommendation

If you are looking for something to help guide you through all of those little business aspects of writing and publishing that your creative mind refuses to rein in, I highly recommend The 2018 Author’s Journal.

If you are looking for something to help guide you through all of those little business aspects of writing and publishing that your creative mind refuses to rein in, I highly recommend The 2018 Author’s Journal. Click To TweetWhile there is certainly room for improvement for future editions, overall, it’s a great planner, and it fills a very real need in the author–entrepreneurial space.

Check Out My Other Book Reviews

Book Review: Dictate Your Book: How To Write Your Book Faster, Better, and Smarter

Book Review: Outlining Your Novel by K. M. Weiland

Book Review: Romancing the Beat by Gwen Hayes

Book Review: Self-Publishing for Profit: How to Get Your Book Out of Your Head and into the Stores by Chris Kennedy

Book Review: The Successful Author Mindset by Joanna Penn

 

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Book Review: Romancing the Beat by Gwen Hayes

Romancing the Beat: Story Structure for Romance Novels
Gwen Hayes
2016, 100 Pages, Kindle Edition
ISBN-13: 978-1530838615
ISBN-10: 1530838614


Romancing the Beat is a concise book on story structure for the romance novel by author and editor Gwen Hayes, who herself confesses to loving “kissing books.”

As an editor, I read a lot about writing, so when I picked up Romancing the Beat, I sat down with paper and pen, ready to take notes. What I did not expect to find was a funny little book that made me laugh out loud while still actually learning something.

romance, hearts, romancing the beat
ROverhate / Pixabay

I Loved It, and Here’s Why

What I love about Hayes’s book is that she distills the elements of romantic story structure down to their very bones and gives the reader/writer specific advice for creating the plot of a romance novel in a book you can finish in one evening.

Romance novels, unlike most other genre novels, have a pretty specific formula.

Now, don’t shoot me for saying that, but it’s true, and maybe that’s why romance novels are so successful. Readers expect certain things to happen, and when they happen, they’re happy. Without those things, readers are unhappy. They will be quick to tell you that what you have written is not a romance novel and shouldn’t be marketed as such. For example, if your lovers are cheating, you haven’t written a romance novel. If your lovers don’t get their happily ever after or at least happy for now, you also haven’t written a romance novel.

Hayes doesn’t give you tips on crafting sentences. She doesn’t give you ideas for external plot lines. She doesn’t tell you how to create the perfect hero or heroine. She focuses on one element of the craft in one genre.

Romantic story structure is all this book covers, but it covers it extremely well.

Breaking It Down

Gwen Hayes breaks down romantic story structure into bite-sized chunks: four phases, each with five beats. I won’t tell you what they are—you’ll have to read the book for that—but she goes through each phase and beat in its own mini-chapter. Then, at the back of the book, she provides an entire outline with these beats from one of her own stories. To be honest, I flipped to the end first and read this outline.

Good, complete examples are often missing in writing books. You can call beats or moments in the story anything you want, but unless the reader knows what you’re talking about and can apply it to his or her own writing, it’s all sort of abstract, hard to pinpoint, and thus, useless.

After reading Romancing the Beat, I honestly feel I could sit down and use it write an outline within an hour or so for a romance novel that would fit reader expectations. And with Hayes’s approach, it would probably be a lot of fun.

In the meantime, this book is going to serve as an important resource any time I sit down to edit a romance novel, and I’ll have no compunctions about recommending it to my writer clients and friends.

Go read it yourself.

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Please note: This post contains affiliate links. This means that I receive a small percentage of sales through these links but at no extra cost to you. My editing, design and consulting services are paid for by clients, but affiliate links help me to provide free blog content, videos, and writing and self-publishing resources for all of my readers.

 

 


 

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The Art of Taking Feedback on Your Writing

I often encourage my clients and other writers to get feedback from alpha readers, beta readers, and/or critique partners or groups to improve their writing.

Unfortunately, this is not a perfect science, and even editors can disagree on whether this feedback is useful or not. Like reading “news” on the internet, as writers, we have to learn what feedback is useful and what is garbage.

If you can learn to wade through the good, the bad, and the ugly, getting feedback from readers and critique partners can be invaluable.

In this post, I give you some tips on how to deal with feedback in a way that will not only improve your current writing project but also help you to grow as a writer.

Tips for All Feedback

Having multiple readers can be especially useful for learning whether a certain piece of feedback will really help improve your work in progress. All readers are subjective, but how can we determine which comments and critiques are worth our attention?

A rule of thumb is to always pay attention when several readers give you the same feedback. For example, if three different readers tell you that a certain paragraph or scene is awkward, make sure to go over it until you can pinpoint the problem and smooth it out. If possible, ask those readers for specifics to find out where they stumbled over the text.

You can also use this rule for positive feedback. Mark sections to “leave alone” if several readers have lauded a certain sentence or paragraph.

When only one reader points out a problem, however, as the writer, you must be the judge. Look at the text carefully and see if you agree with the reader.

If it’s something as simple as a typo or misspelling, that’s an easy call.

If it’s something more broad like “I think you should kill off this character,” then you have a judgment call to make. Is it something that works for you? Do you think following this advice would improve the story as a whole or just cause other problems?

Never make a change just because one reader said so. On the other hand, never avoid making changes just because they are inconvenient. Really evaluate the feedback and then decide whether your reader’s suggestion would make your story better.

Tips for Conflicting Feedback

Conflicting feedback can be especially confusing, especially to a new writer. If half of your readers tell you one thing and half tell you exactly the opposite, what are you supposed to do?

First, try to distill exactly what element of writing your readers are having issues with. Take some time to either learn about or clarify that issue and see whether there are any resources you can find that the deal with it. Talk with a trusted writing mentor. The point here is to make the most educated decision that you can. If there is no “right” way to deal with it, then use your own personal preference. These preferences and writing styles make your writing unique and give it flavor.

In the end, it’s another judgment call.

Tips for Positive Feedback

As writers, we all love good feedback. When other writers or potential readers laud our work, we can’t help but glow. However, that big grin on your face isn’t really improving your writing.

You may think that positive feedback is worthless, but it can help you mark your progress as a writer and tell you when you’re moving in the right direction.

If you give your book to six carefully selected beta readers and they all have mostly positive things to say, then you are probably ready to move forward to the next stage. (See My First Draft Is Done! What’s Next? for an indie author guide to the stages leading up to publishing.)

feedbackTips for Negative Feedback

On the other hand, taking negative feedback—or outright criticism—of your writing can be a real challenge. How do you keep a badly worded or insensitive review from making you want to stop writing altogether?

The first thing you need to do is step back and process the feedback.

Natural human reactions to negativity make it hard for us to deal with this kind of criticism, especially when it’s targeted at our creations. It can take some time to be objective enough about it that you can evaluate whether the feedback is helpful and determine what you should do about it.

Depending on how harsh the criticism is, this can take anywhere from a couple of seconds to several days or even longer.

Once you feel like you can face the feedback without screaming, you need to distill it to find out if it will be useful for you.

The Troll

You may find that for whatever reason, the feedback isn’t feedback at all but rather needless trolling with no other point than to be negative. Anyone who is on the internet has run across the kind of people who leave spiteful comments and reviews just to stir up trouble.

How can you tell if your reader is a troll? Look for insulting language or comments directed at you as a writer or person instead of the writing itself. For example, take “I’ve never seen such dribble” versus “I’m having trouble connecting to the characters.” The first is insulting, but the second gives you specific, constructive feedback.

If you think that you are the victim of a troll, just move on, and make a note never to use that reader again. This is one of the biggest reasons for getting to know your readers and/or critique group well before handing over your writing.

The Amateur

You may find that the person giving you feedback doesn’t understand your genre. Be careful that you aren’t just saying this because you want to argue with your readers. See how their feedback compares to that of others before discarding it.

How can you tell if your reader is an amateur? Look for signs that he or she isn’t familiar with the genre. Readers new to a genre are often overly enthusiastic or extremely negative about tropes that are very common to it. For example, if your reader is “not into all this new agey stuff” and your book is visionary fiction, there is your evidence.

The Honest Brute

Here is the one you really want to pay attention to. The person who honestly (and without insult) points out the flaws and strengths of your writing is the one who can help you the most. Take the time to really evaluate what this person has to say as it will likely help you improve not only the book but also your skills as a writer.

Lessons Learned

When receiving feedback on your manuscript, always remember that this is your book. Own it, and own the responsibility for revising it in a way that you feel makes it better. Don’t let strongly opinionated readers turn it into something that you don’t even want to claim anymore.

In any case, whether the feedback you receive is positive or negative, considerate it practice for when your book or story is live and people start leaving reviews.

Reviews bring attention to your work, so although they lay you bare for comments and criticism, they are an essential part of the published writer’s life.

feedback

A lack of criticism can lead you to believe that you are flawless as a writer. Unfortunately, that in itself can lead to a degradation in the quality of your writing. Writers need to be open to new ways of learning, new techniques, and of course, criticism to keep improving.

How do you deal with feedback from readers on your own writing? How about feedback from editors?

Resources

From Wordy Speculations

“11 Rules for Your Critique Group”

“An Indie Author Guide to Saving Money on Editing—Part 3: Using Readers”

“What Is a Beta Reader?”

Other Resources

“The Importance and Limitations of Beta Readers,” Jen Anderson, Clearing Blocks

“Writing Feedback: The Ultimate Guide to Working with Beta Readers,” Amanda Shofner, The Write Life

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Book Review: Self-Publishing for Profit: How to Get Your Book Out of Your Head and into the Stores by Chris Kennedy

Self-Publishing for Profit: How to Get Your Book Out of Your Head and Into The Stores by Chris Kennedy
My rating: 4 of 5 stars

Lots of Good Information Here

This is a good intro for someone without much knowledge about self-publishing. It covers a lot of ground, though, so you’ll need other resources if you want to dig deeper on any specific topic.

Also, keep in mind that this industry is changing every day, so some specific information might become outdated pretty quickly.

This is a great place to start your journey, but be sure to do your own research and keep yourself educated on the topics that are relevant to you.

View all my Goodreads reviews

Please note: This post contains affiliate links. This means that I receive a small percentage of sales through these links but at no extra cost to you. My editing, design and consulting services are paid for by clients, but affiliate links help me to provide free blog content, videos, and writing and self-publishing resources for all of my readers.

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Book Review: Dictate Your Book: How To Write Your Book Faster, Better, and Smarter


Dictate Your Book: How To Write Your Book Faster, Better, and Smarter by Monica Leonelle
My rating: 4 of 5 stars

I found Dictate Your Book: How to Write Your Book Faster, Better, and Smarter by Monica Leonelle to be a useful resource, although it really is just for the beginner in dictation or for those writers who are just considering dictation but haven’t yet tried it.

By the time I got around to reading Dictate Your Book, I had already learned most of the information from other sources (web pages, blogs, and podcasts) and had started dictating on my own months before.

That said, there are a lot of useful tips in the book, most of which come down to instructions on how not to waste time training your software until you decide that you really want to use it full time.

The one thing I wish Leonelle had covered was the use of a combination of voice and the mouse and keyboard for certain tasks. For example, you can edit with Dragon. Sure, doing it by voice would be completely thankless, but if you add in your mouse and keyboard for cursor placement and other tasks, you can edit at about the same speed as you would by keyboard. I have done as much myself.

I’m glad there are books out there like this, though, that give writers like me options for increasing their writing speed without spending more time at the keyboard.

View all my Goodreads reviews

Please note: This post contains affiliate links. This means that I receive a small percentage of sales through these links but at no extra cost to you. My editing, design and consulting services are paid for by clients, but affiliate links help me to provide free blog content, videos, and writing and self-publishing resources for all of my readers.

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