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Book Review: The 2018 Author’s Journal by Audrey Ann Hughey

About The 2018 Author’s Journal

“In this hybrid planner for authors, the writer is guided through comprehensive workflows which address both the creative and business aspects of authorship. It is designed to maximize productivity, implement effective goal-setting practices, and maintain the author’s focus on achieving their writing, marketing, and publishing goals in 2018.”—Amazon description


Disclaimer

I received a free PDF version of this planner in exchange for my honest review. I am also a current member of Hughey’s Author Transformation Alliance, which is a paid-membership support group for authors that focuses on the business, marketing, and social media aspects of being an author. Therefore, I participated in a few polls about preferences for the cover and what might or might not be included in the journal, but I did not see any of the content until I received my review copy.


What Is The 2018 Author’s Journal?

The 2018 Author’s Journal is a combination guide and business planner for authors who have come to realize that they really do need to get a handle on the business end of writing if they are to succeed in today’s market.

If anything can be said about The 2018 Author’s Journal, it is that for the most part, it is ambitious. It covers many of the issues that authors face, especially those who are self-publishing or planning to do so.

Outside of the planner part, the book’s major sections cover author goals and goal refinement, works in progress, editing, story ideas, reading for relaxation and self-improvement, expenses and marketing, blog plans, and advertising. There is even a section for “squirrels” called My Musings.

What’s Great

There are several wonderful things about this planner.

Comprehensiveness

The sheer number of topics that it covers makes it clear that Hughey’s goal was to be as comprehensive as possible, to make this an all-in-one stop for all your writing ideas, plans, goals, and achievements. This is the first such planner I’ve had the chance to look at, and it’s impressive and massive at 356 pages in an 8.5 × 11 inch trim size.

I doubt you’ll find so much author-friendly content and support in one planner, and it definitely has the potential, if used faithfully, to cut the number of sticky notes and miscellaneous notebooks that writers tend to accumulate. That in itself is a worthy accomplishment.

I doubt you’ll find so much author-friendly content and support in one planner. It has the potential…to cut the number of sticky notes and miscellaneous notebooks that writers tend to accumulate. (Review, The 2018 Author's Journal) Click To Tweet

Honoring the Process

Unlike other planners, which might give you spaces to write your goals, Hughey’s gives you space to define, map, check, and evaluate refine your goals. She realizes that goal setting is like writing. We don’t usually get the plan right the first time. Our goals, like our words, sometimes need to get onto the page before we can properly evaluate them and make them better and truer to our style and abilities.

Honoring the Writer

The journal is available in several cover options (five at the moment, with possibly more to come). Hughey decided to offer the different styles as a hat tip to the different preferences of authors and their personal styles.

2018 Author's JournalDigital Resource Guide

Purchase of the print journal grants access to a specialized digital resource guide, which includes videos, checklists, and spreadsheets to supplement the journal and guide the author through its use and adaptation.

The digital resource guide also includes videos from special guests on topics such as mindset, time management, and overcoming self-doubt and fear.

Space for Your Squirrels

The planner includes a whopping 40 pages dedicated to My Musings, space for you to write down all those ideas, plans, or just notes that might not fit anywhere else. As I mentioned earlier, this might just replace your pile of spiral notebooks, notepads, and sticky notes.

Some authors might be willing to pay the roughly $30 price of the planner for that feature alone.

Gellinger / Pixabay

Where You Were and How Far You’ve Come

In the marketing section of the planner, there is a section on visibility. This is something authors often don’t think about as many (not all!) are introverted and prefer instead to think of invisibility.

I found the table for tracking social media in terms of current and target followers helpful. We often don’t take the time at the beginning of the year to see where we are and then compare the same number at the end of the year to see how far we’ve come.

social media for authors, followers
Social Media Goals, p. 56, The 2018 Author’s Journal

Hughey does this in many places in the planner, and this is just one example.

Although there is a quarterly follower breakdown, I would have loved to see a month-by-month breakdown of social media plans and followers in particular. This would be helpful for keeping track of what one has done with social media and how it has affected the number of (hopefully quality!) followers.

Blog Planner

As an extension of having all of your writing stuff in one place, the journal includes space for up to 52 ideas for blog posts (or one per week).

I love this! Coming up with blog post ideas for both my editing and author websites is the bane of my existence. Losing ideas to some random sticky note purgatory is even worse. So, having this section is just icing on the cake.

I do wish there was more writing space here, however (more on this later).

edar / Pixabay

Opportunities for Enhancement

I do hope this is not Hughey’s only year to produce this journal. With the growing number of author–entrepreneurs that has come with the expansion of the self-publishing industry, the need for something like this is significant.

However, there are a number of items that could be tweaked for maximum usability and convenience.

Writing Space

The great thing about The 2018 Author’s Journal is that it’s so comprehensive. The worst thing about this journal is that … it’s so comprehensive.

Unfortunately, there is so much text and content that the planner is very dense textwise.

In many areas, it seems that room to write—which is the point of a planner after all—has been sacrificed to “fit it all in.” (The exception to this is the My Musings section, which is basically 40 pages of blank lines for dates and notes.) There are many areas within the calendars themselves and after leading questions where you would have to write very small to fit any reasonable amount of text.

From the perspective of a book designer, it seems that less thought went into these practical aspects of actually using the journal day-to-day than to the content and guidance provided within. For example, some intro text was repeated monthly and could have been left out to offer more space for writing.

Alternatively, this journal might better serve authors as a two-book set: a business guide with all the content and instruction and a separate planner—the one that you carry around—with all the space you need to write.

Skitterphoto / Pixabay

Areas for More Focus

The Editing Process

Although most sections of The 2018 Author’s Journal are devoted to author marketing and promotion, not writing craft, there is a section devoted to the editing process. Anyone familiar with me or the Wordy Speculations blog knows I am 100% behind multiple rounds of self-editing and hiring a professional editor. Oddly, more focus is given to editing apps and software than the self-editing process itself or what one should expect from an editor.

However, with the exception of the place to take notes on pricing and evaluating editors, this section felt out of place amidst the business content of the rest of the journal. Also, by its very presence, it highlights the lack of any coverage of how to deal with cover design and interior book design, which, along with editing, are both part of the book production process and often entail hiring a professional.

Postrelease Business

The coverage of the author business that takes place after release is spread out and less organized than other topics in The 2018 Author’s Journal. To balance the Planning My Release and Preparing My Release sections, I would have loved to see something similar for marketing and managing your books after launch.

Author Newsletter

Given the importance of author newsletters, as stressed by Hughey herself, a planner or map for newsletter content, similar to what she includes for blogs, would have also been a great addition.

JuralMin / Pixabay

Binding

As it stands, The 2018 Author’s Journal is perfect-bound. With its sizeable length, this might make it difficult to write in for some, especially toward the middle of the book where the bulk of the monthly and weekly planners are. Coil, or spiral, binding would allow the journal to lie flat and would greatly add to its convenience.

This, unfortunately, is a limitation of self-publishing because most of the major print-on-demand services do not offer coil binding. However, one service does offer it, and Hughey has expressed interest in this binding for the future and/or for possible undated editions of the journal.

Recommendation

If you are looking for something to help guide you through all of those little business aspects of writing and publishing that your creative mind refuses to rein in, I highly recommend The 2018 Author’s Journal.

If you are looking for something to help guide you through all of those little business aspects of writing and publishing that your creative mind refuses to rein in, I highly recommend The 2018 Author’s Journal. Click To TweetWhile there is certainly room for improvement for future editions, overall, it’s a great planner, and it fills a very real need in the author–entrepreneurial space.

Check Out My Other Book Reviews

Book Review: Dictate Your Book: How To Write Your Book Faster, Better, and Smarter

Book Review: Outlining Your Novel by K. M. Weiland

Book Review: Romancing the Beat by Gwen Hayes

Book Review: Self-Publishing for Profit: How to Get Your Book Out of Your Head and into the Stores by Chris Kennedy

Book Review: The Successful Author Mindset by Joanna Penn

 

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Resources for Fiction Writers—Holiday Update!

It’s Here!

The next update of my massive—and getting even bigger—”Resources for Fiction Writers” page is now live, and it’s right HERE!

I’ve added quite a few new resources, all marked by an asterisk for easy indexing. There are new videos, new podcasts, new websites, and new blog posts, all designed to help you succeed as a writer and, as the case may be, a self-publisher.

And to top it off, I’ve added a shiny new Pinterest-friendly graphic to go with it. (Hint: Feel free to pin the list to your favorite board, along with any of your favorite resources from it!)

resources for fiction writers

A New Way to Access the Resources for Fiction Writers Content

Speaking of Pinterest, I recently created a new Pinterest board that is basically a budding clone of my Resources for Fiction Writers list. It will take me a while to pin every single item on the list but all the new items are already there plus some old favorites.

As always, if you have a resource you highly recommend, I’d love to hear from you so I can check it out myself and maybe add it to the page.

Go forth and enjoy, and I hope you have a wonderfully productive season!

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Book Review: The Successful Author Mindset by Joanna Penn

The Successful Author Mindset: A Handbook for Surviving the Writer’s Journey
Joanna Penn
The Creative Penn, Ltd., 2016
Available in ebook, paperback, and audio formats

For Christmas, I received a nice little stack of books from family members. Among them was Joanna Penn’s The Successful Author Mindset, which my ten-year-old daughter had given me. My kids have seen me giving this whole career-author thing a go, with me getting up at 5 or 5:30 a.m. nearly every day for the last several months so that I can get my writing done and still have time for my day job and all the rest.

One of my inspirations on this journey has been Joanna Penn and her author–entrepreneur podcast, The Creative Penn. Penn used to work a corporate job. Years ago, she began writing both fiction (thrillers under the name J. F. Penn) and nonfiction (under Joanna Penn) while still doing her day job. While you might not put her on the same level with Dan Brown or Stephen King yet, she has built her author business up enough that both she and her husband have been able to quit their day jobs to continue to work and expand this business. You can tell from listening her talk about it on the podcast that it is a vocation that brings her joy.

In The Successful Author Mindset, Penn approaches one of the biggest obstacles we authors have on the journey to success: our own minds. Just how does the state of our mind affect our success as writers? In three sections, Penn discusses mindset aspects of creativity and writing, mindset aspects that become relevant after publishing, and tips for managing our long-term journey as authors. In bite-sized pieces, she approaches each problem, for example, imposter syndrome, that icky feeling you get that you’re really a fraud and that you couldn’t possibly know what you’re doing. Penn not only covers about each aspect and how it can affect us as writers but also provides antidotes: ways we can get around the self-doubt, the judgment of others, and our own creative dissatisfaction.

Penn’s style is casual and personal. She includes snippets of her own diary entries along the way, confirming in a book-wide theme that as much as writers often work the craft in isolation, we are not alone in our experiences.

All of us who are writing are bobbing around in this ocean of creativity, going through the same issues.”
—p. 1, The Successful Author Mindset

The Bottom Line

Other writers have gone through what you are going through, and the successful authors are the ones who have changed their mindset and kept writing anyway. Some of Penn’s advice strikes me as simple common sense, but still other bits really hit home on my own journey. I’ve dog-eared the section on fear of judgment to revisit when I find that I’m holding back, reluctant to “let my [genuine] author voice run free.” Reading this book has also reinforced my decision to remain in control of my own career as a writer. For me, that means self-publishing. For another, it might mean renegotiating her contract with her agent or publisher.

I recommend this book for writers at any stage of the journey and on any publishing (or nonpublishing) path. It will be especially helpful for those with long-term author career goals in mind.

Pick up this book, and you may find yourself using it practically or as a repeated source of affirmation as you work toward your writing dreams.

Joanna Penn, The Creative Penn
I heard this quote from Joanna Penn one day on her podcast, The Creative Penn. I typed it up and have had it on my office wall as inspiration ever since.
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An Indie Author Guide to Saving Money on Editing—Part 2: Self-Editing

Welcome to the second part of my weekly series on methods that indie authors can use to save money on editing.

Last week, I covered patience and the ways in which slowing down can save you, the indie author, money on editing.

Self-editing can also save you money, and it definitely requires some of that patience. When you complete the first draft of a book, especially your first book, you might be tempted to dive right into formatting and publishing your new book with Amazon KDP, Amazon CreateSpace, IngramSpark, Kobo Writing Life, or one of the many other avenues for self-publishing.

By doing so, however, you are taking a dangerous gamble. Not only is your book likely to be full of typos because even editor/writers make typos, but your book may also contain plot holes, character and plot discrepancies, overly convenient endings, and other sales killers.

You already know that as an editor, I am in favor of editing before publishing, but I am also in favor of at least two rounds of author self-editing before that professional editing takes place.

So, before you start looking for that stellar editor with just the right price, let your book sit. Fill your mind with something else, perhaps another project, for two to three months so that when you pick it up again, you are no longer seeing what you think should be on the page (a.k.a., experiencing author blindness) but instead are seeing what is actually on the page.

Your process might look something like this:

1. Finish the first draft.

2. Wait three months. (Maybe write a first draft of a new book during this time.)

3. Self-edit.

4. Send the next draft of the manuscript to volunteer readers and get feedback.

5. Self-edit according to the feedback. Repeat steps 4 and 5 with alpha and beta readers until you believe that you have done as much for the manuscript as you personally can or are willing to do without an editor’s help.

6. Send the next draft to an editor or editors for an evaluation to see how far you’ve come.

If the editor recommends developmental editing (i.e., structural editing), you can work with him or her on this step if you’re not sure what to do, or you can do another round of self-edits yourself, focusing on structural issues.

If the editor recommends copyediting, you’re hopefully good to go on structural and big-picture issues and are ready to move forward.

My point here about self-editing is that by taking your time and fixing as many errors as you can with the help of readers, you can get a price on the lower end of your editor’s rates and maybe even skip developmental editing altogether.

How to Make the Most of Self-Editing

Establishing a process that works well for you will take time, and it’s one you’ll get better at the more you write and the more you see which steps help and which ones are a waste of time for you and your style of writing.

Some writers make many passes on their novel, each time looking for one specific item (e.g., overly used adverbs, too much telling vs showing, or point-of-view problems). If this works for you, great, but I warn you: the more you read your own manuscript, the less you’ll be able to really see it. That’s author blindness kicking in again. Editors get it, too, and that is why I recommend a separate proofreader once copyediting is finished. Unless you want it to take a year or more to finish every novel, take advantage of alpha and beta readers to help you see the things that author blindness will, well, blind you to.

Tips for Self-Editing

Here are some tips to help you make the most of your self-editing process followed by some resources with even more:

1. Apply rules only when they actually improve the story that you want to create. It’s easy to take the many writing “rules” out there and apply them universally, but thoughtlessly slashing your manuscript may cause even bigger problems.

For example, sometimes you need to tell, or summarize, less essential narrative to let the reader know what is happening so that you can get to the good stuff and really paint a vivid picture of important scenes. If you overly show a less important scene and extend it to several pages, you might lose your readers’ interest as they ask themselves what the point of the passage is and where the story went.

Many authors and even some editors focus on little details that will not matter to a reader as long as the story is tight and compelling. So when you are thinking about applying a rule to your book, ask yourself, “If I saw this in a book I was reading, would it bother me?” before you jump in with the red pencil. Alternatively, you can save the original passage, make the edits you are thinking about, and then compare both and see which is really better.

I know a lot of rules, but when I am editing, especially for big-picture issues, I read like a reader first. When my brain tells me that something doesn’t feel right or is just awkward or boring, it is only then that I get down to the nitty-gritty details and dissect the manuscript to see why it doesn’t work. Don’t waste time worrying that you overused a certain word or type of word until your alpha or beta readers point it out or you yourself are bothered by it when reviewing your manuscript after a break.

2. Start with the big-picture items first and then move to the smaller details. By big-picture items, I mean plot, characterization, structure, consistency, timelines and chronologies, tone, theme, and flow. By smaller details, I mean spelling, grammar, punctuation, capitalization, word choice, and consistency.  (Yes, there are different types of consistency, but consistency is always key in editing.)

Don’t get bogged down in the little details until the overarching structure has been addressed.”

As you’re editing, if you see a spelling mistake, sure, you can fix it, but don’t get bogged down in the little details until the overarching structure has been addressed. You might end up deleting that sentence or passage anyway. So address the big picture first: How is your structure? Does it compel the reader ever forward, ever faster in a race to an intense, surprising-but-inevitable climax? Are the arcs of your main characters complete? Does your timeline make sense, or are your flashbacks confusing your readers? Does your dialog sound natural for each character, or is it stilted? Are your characters’ accents pulling your reader out of the story?

Only when you and your volunteer readers are sure that the story is in good shape should you start to worry about the rest.

3. Take advantage of free and low-cost resources. Any Google search will tell you that there are many, many free blog posts and articles out there to help you with self-editing. There will be a vast number of opinions on the best way to go about self-editing. I recommend that you find a few writing experts online that gel with your own ideas about writing and use them to help you figure out what to look for and what to focus on during your editing process. Some of my favorite resources are Writing Excuses, Helping Writers Become Authors, Writer Unboxed, Fiction University, Writer’s Digest, and This Itch of Writing.

Another source of inexpensive guidance is Amazon.com’s Kindle Unlimited. I have found a ton of books on the writing craft available to borrow with my subscription.

I’ll cover some more extended tips for self-editing in a future post in this series.

Other Resources for Self-Editing

Here are some resources that I have found particularly helpful:

1. Self-Editing for Fiction Writers: How to Edit Yourself Into Print, Renni Browne and Dave King

2. “Checklist for Editors,” The Editor’s Blog, Beth Hill

3. “The Fiction Editor’s Pharmacopoeia; Diagnosing Symptoms & Treating the Disease,” This Itch of Writing, Emma Darwin

4. “How Do You Eat an Elephant?” This Itch of Writing, Emma Darwin

5. “How I Self-Edit My Novels: 15 Steps From First Draft to Publication,” Helping Writers Become Authors, K. M. Weiland

6. “How to Be Your Own Book Doctor,” Fiction University, Janice Hardy

In next week’s post, I’ll cover alpha and beta readers and critique partners in more depth with a little more information on how to find them and use them to your advantage in getting your book ready for professional editing.

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New Resources Page!

Today, I added a new feature to my website, a Resources for Fiction Writers page. My goal is for this to be a collection of the best resources available for fiction writers that I have found. I will be adding to it as I remember past ones and find new ones.

The fun part of it is that you can contribute, too. Just leave your favorite resources in the comments section of that page.

I can’t wait to see the kind of resource this grows into.

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